放映家的一生都与电影胶卷相伴，厌倦无聊生活的他幻想着可以体验电影内的世界。一天他发现了属于自己人生的胶卷。放映家将电影胶卷和自己人生的胶卷剪辑在了一起，开启了他一段穿越电影的旅程。

放映家的一生都与电影胶卷相伴，厌倦无聊生活的他幻想着可以体验电影内的世界。一天他发现了属于自己人生的胶卷。放映家将电影胶卷和自己人生的胶卷剪辑在了一起，开启了他一段穿越电影的旅程。

热爱电影的阿强，离乡背井从马来西亚乡村到新加坡打工，一心想当电影放映师。阿强在打工的电影院遇见了师傅小李，从他身上学会了跳舞，如何追求女孩以及生活的真谛。阿强也遇见了晓薇，一位年轻貌美的华文教师。由于家教严厉，她从小就顺从父母亲的想法，但内心却向往自由。在种种机缘巧合下，缘分将他们捆绑在一起。《放映爱》要带观众漫游50年代的新加坡，唤醒大家心中追求梦想的勇气…

西班牙导演José Luis Garci凭借82年的《Volver a empezar》获得奥斯卡最佳外语片奖后，又再度凭借此片获奥斯卡最佳外语片提名。 　　The film tells the story of the relationship and friendship of two men who are both very much affected by the cinema: Both of them are writers, one of books the other of screenplays.

Leon是个社会学的大学肄业生，很不幸地，他学建筑的女友 Leticia爱上了一个医学院的学生Paulo，Paulo还是Leon的朋友和室友。正因为这样，这个复杂的三角关系没有办法简单化，不断地为他们之间的感情和友谊制造紧张气氛……

Leon是个社会学的大学肄业生，很不幸地，他学建筑的女友 Leticia爱上了一个医学院的学生Paulo，Paulo还是Leon的朋友和室友。正因为这样，这个复杂的三角关系没有办法简单化，不断地为他们之间的感情和友谊制造紧张气氛……

The Nazi regime produced over 1,200 feature films, mostly political propaganda, a handful of which were crafted specifically to engender anti-Semitism among the masses. Of these hideous artifacts, 40 remain banned from public viewing to this day for their incendiary content. In Forbidden Films, director Felix Moeller brings us into the vaulted, explosive-resistant compound where the reels are kept and then interviews renowned film historians and filmmakers who debate the importance of these “Nazi movies of the poison cabinet”: are they worth keeping? Do we need to show them? How do we approach this dark legacy? A Zeitgeist Films release.

The Nazi regime produced over 1,200 feature films, mostly political propaganda, a handful of which were crafted specifically to engender anti-Semitism among the masses. Of these hideous artifacts, 40 remain banned from public viewing to this day for their incendiary content. In Forbidden Films, director Felix Moeller brings us into the vaulted, explosive-resistant compound where the reels are kept and then interviews renowned film historians and filmmakers who debate the importance of these “Nazi movies of the poison cabinet”: are they worth keeping? Do we need to show them? How do we approach this dark legacy? A Zeitgeist Films release.

A young American serviceman, stationed in Germany after the fall of the Third Reich, jeopardises his position with the Marshall Plan relief effort by breaking the non-fraternisatiom rule and falling in love with a young German woman. He uses his position to obtain food and luxuries for her that are in short supply, and all seems to be going well for the couple. What he doesn't realise is that the Werewolves, the Nazi guerrilla movement, have plans in which he features heavily.

A young American serviceman, stationed in Germany after the fall of the Third Reich, jeopardises his position with the Marshall Plan relief effort by breaking the non-fraternisatiom rule and falling in love with a young German woman. He uses his position to obtain food and luxuries for her that are in short supply, and all seems to be going well for the couple. What he doesn't realise is that the Werewolves, the Nazi guerrilla movement, have plans in which he features heavily.